John McIntyre, whom James Wolcott calls "the Dave Brubeck of the art and craft of copy editing," writes on language, editing, journalism, and other manifestations of human frailty. Comments welcome. Identifying his errors relieves him of the burden of omniscience. Write to email@example.com, befriend at Facebook, or follow at Twitter: @johnemcintyre. Back 2009-2012 at the original site, http://weblogs.baltimoresun.com/news/mcintyre/blog/ and now at www.baltimoresun.com/news/language-blog/.
Sunday, September 27, 2009
I am fifty-eight years old, and chances seem remote that I will ever make another run at Finnegans Wake. Off to the used-book sale at the Festival-on-the-Hill in Bolton Hill. Back editions of the Associated Press Stylebook are an easy choice.
But sentiment is hard to eliminate from these operations. I still regret having sacrificed the paperback edition of Philip Larkin’s High Windows that I bought in 1985 at Louie’s Bookstore Cafe while interviewing at The Sun, even though I have the contents in his Collected Poems. And despite the wreckage of my ambition to be an eighteenth-century man, I will not let go of Arthur Hoffman’s book on Dryden’s imagery or his late monograph on the plays of Congreve until I have to pack my bindle for the Old Editors’ Home. Professor Hoffman was a witty and engaging teacher of the old school, and he was kind to me. And I am not giving up Gibbon; one has to have something in reserve for retirement.
Discarding The Structuralist Controversy, however, leaves no pang.
Jane Austen and Barbara Pym stay, but perhaps it’s time to give up on Byron’s Don Juan. Nobody’s touching John McPhee or my ratty but complete paperback set of Rex Stout’s Nero Wolfe mysteries. But Gravity’s Rainbow, which I have started four times without ever making appreciable progress, gets the boot. Boswell and Johnson, you may have guessed, are secure. So are Edmund Wilson and John Cheever. And the poets: Roethke, Jarrell, Lowell, Wilbur, Hecht, Kumin, Van Duyn.
But a shadow looms over numerous others.
Some of these books I have carted from premises to premises since the 1970s, with good intentions, but it is in the nature of things that the Long Parliament sooner or later gives way to the Rump. Farewell, my lovelies.