The craft, not the owner

 For journalists, at least the good ones, the commitment has been to the craft, the truth-telling, not to the ownership. 

For forty years, I worked on the copy desks at Gannett and Tribune papers, and our commitment was always to getting the stories factually accurate and clear for the reader. We lived in tension with our masters, cynical about the self-serving pronouncements of corporate apparatchiks. (God help me, I once worked for Sam Zell!) You did the best job you could to follow your principles under the circumstances. 

This year's presidential election has posed problems not just for journalists but for readers, and readers as consumers and customers. 

Some weeks ago I canceled my subscription to The New York Times after decades as a reader (I once applied for a job there). It covered President Joe Biden with ceaseless questioning about his age and capacity while covering Donald Trump as if we were in the South, murmuring, "Well, that's just his way." The editor's mealy-mouthed defense of this blatant disproportion fails to persuade. 

When it came out that Jeff Bezos had sandbagged his editorial staff's endorsement of Harris, several members of the staff resigned in protest and a quarter of a million readers canceled their subscriptions in disgust. I doubt that Bezos's bootlicking congratulations to Trump on his election will draw many back. 

Several voices have been raised urging readers to continue to support these papers, for the sake of the journalists still there struggling to do good work. I am sympathetic. 

After thirty-six years, I remain a seven-day-a-week print subscriber to The Baltimore Sun, where I worked for thirty-four years as an editor, even though the publication has been taken over by David Smith, who imagines that he can run a newspaper, and Armstrong Williams, who imagines that he can write. They have filled the news pages with low-grade pigswill from Sinclair and FOX45 and driven off some of their best people. (One is almost nostalgic for Sam Zell.) 

I continue to subscribe in support of the remaining staff, members of the News Guild struggling to negotiate a contract that will protect their ethical and journalistic standards. They are the Resistance operating at the Vichy Sun. But every morning I think, "How much more of this can I take?"

For you, the reader, the consumer, the customer, the question comes down to this. Your subscription supports the remaining journalists struggling to do professional work in troubling circumstances. It also supports the ownership and the ownership's decisions about what to cover and how. It's not clear-cut, but you have to look at what you are getting. What do you find good in it, and is the good worth what you pay for it? What do you find bad in it, and do you want your money to support that? 

For me, I have subscribed to The Guardian.